MODEL PROFILE

SAME-L

Stability AI · SAME-L

Latent representations are at the heart of the majority of modern generative models. In the audio domain they are typically produced by a neural-audio-codec autoencoder. In this work we introduce SAME (Semantically Aligned Music autoEncoder), a transformer-based autoencoder for stereo music and general audio that reaches a 4096x temporal compression ratio (roughly twice the current standard) while maintaining excellent reconstruction quality and strong downstream generative performance. We achieve this by combining a set of semantic regularisation approaches with phase-aware reconstruction losses. The architecture also delivers substantial computational cost benefits, through both its high compression ratio and its reliance on well-optimised transformer primitives. Two variants (a large SAME-L and a CPU-deployable SAME-S) are released in open-weights form. This model can be used with: 1. the `stable-audio-3` inference and fine-tuning library 2. the `stable-audio-tools` research library Our dataset consists of ~19,500 hours of licensed production audio from AudioSparx which includes a 66/25/9% mix of music, sound effects, and instrument stems.

license:other
Context windowNot disclosed
Input → Output待核验 → 待核验
Model weightsNot verified
Profile updated2026/11/2 19:16:43
OVERVIEW

Model overview

Latent representations are at the heart of the majority of modern generative models. In the audio domain they are typically produced by a neural-audio-codec autoencoder. In this work we introduce SAME (Semantically Aligned Music autoEncoder), a transformer-based autoencoder for stereo music and general audio that reaches a 4096x temporal compression ratio (roughly twice the current standard) while maintaining excellent reconstruction quality and strong downstream generative performance. We achieve this by combining a set of semantic regularisation approaches with phase-aware reconstruction losses. The architecture also delivers substantial computational cost benefits, through both its high compression ratio and its reliance on well-optimised transformer primitives. Two variants (a large SAME-L and a CPU-deployable SAME-S) are released in open-weights form. This model can be used with: 1. the `stable-audio-3` inference and fine-tuning library 2. the `stable-audio-tools` research library Our dataset consists of ~19,500 hours of licensed production audio from AudioSparx which includes a 66/25/9% mix of music, sound effects, and instrument stems.

Key features

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INDEPENDENT BENCHMARKS

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Sources & traceability

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